“”…there came a time when I was only half Japanese because one is not born in America and raised in America and taught in America and one does not speak and swear and drink and smoke and play and fight and see and hear in America among Americans in American streets and houses without becoming American and loving it…I wish with all my heart that I were Japanese or that I were American. I am neither and I blame you and I blame myself and I blame the world which is made up of many countries which fight with each other and kill and hate and destroy but not enough, so they must kill and hate and destroy again and again and again…”
“…when one is born in America and learning to love it more and more every day without thinking it, it is not an easy thing to discover suddenly that being American is a terribly incomplete thing if one’s face is not white.”
John Okada, arguably one of the first Asian Americans writers, wrote No-No Boy in 1954 and died in obscurity believing that Asian America had rejected his work. It is a pity that writers who capture the hearts and souls of the minority, the counter-narrative, are usually rejected by contemporaries or publishers and not rediscovered until they are dead.
The book is written in a stream-of-consciousness fashion with telescoping effects. Often times Ichiro would follow one thought to another and the reader can get a sense of ‘zooming out’ as his feelings turn into feelings of the neighborhood, then city, then state, then nation, and so on. It’s a very interesting effect because we must remember that Ichiro is not merely himself, he represents all Japanese-Americans who were “no-no boys” – that is, those who refused to serve in WWII – some due to confusion about the question, others because the thought of killing their own brothers and relatives was too much.Other times, Okada would switch point of view from Ichiro to an anonymous Japanese-American linked by a common thread of insecurity about their race.
What’s also interesting is the guilt, shame and embarrassment he has for himself- he would have rather lost his legs in the war than be a “no-no boy”. This is the backdrop to all his ramblings – every action he has is linked to his mother, or his father, or his love interest, or Kenji. Everyone has a stake in Ichiro, and all he can do is sort out the good advice from the bad and be comfortable for who he is. With a touch of Japanese nationalism along with good ole American independence, Ichiro realizes that maybe there’s nothing wrong with him – maybe America is a facade in the way it gives you all these hopes and dreams but never lets you become an equal with the white faces. Like all of us Asian Americans, we are seen before we are seen: and only when we stop seeing ourselves through the eyes of who we think have the most rights to this country can we have a stake in this country we grew up in too.
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No-No boy meant a lot to me. I never knew where to place myself in the context of race; I only knew what I didn’t want to identify with. With Chinese people my age, I would feel a huffy sort of annoyance when they started speaking Chinese in public, along with guilt for not having enough balls to speak it back and also a yearning to be fluent. With white people, I felt inevitably a sense of inferiority and became instantly this shy, awkward person who wasn’t really worth getting to know. I envied those races in school who were stereotyped to be more acceptable to white people who found them interesting. But the truth is, the struggle between wanting to be a perfect traditional Chinese daughter and also wanting the benefits of being American, is a stupid struggle. I am neither fully American or fully Chinese. It’s too late. My parents can’t expect me to be 100% Chinese if they didn’t raise me from where they lived. I am more than my race, I am Asian-American. And it feels good to finally know how to express that in words.
Academics:
Science classes are incredibly hard but I am dealing with it even with research and a job. There’s this really inspirational quote in my physics workbook: “either time controls you, or your control time”. How true is that?? If I dedicate an hour or so to studying everyday, I won’t be swamped. I wish I knew how to study like this in high school.
…thinking of an English minor.
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Personal:
I have no way of telling people about something that’s been on my mind because everyone is still caught up in their own stuff. Also the one person I probably could tell I won’t because it’s such a pride issue. Once you make me feel vulnerable, I will never want to feel that way again. That’s why I need to keep that person at arm’s length. Not everyone can be who you want them to be and you shouldn’t force anyone into a mold of who you’re looking for.
in other news, I made a lot of acquaintances into solid friends last night. I realized you can’t really get to know other people if you’re in a relationship. If I was tied down to someone throughout the whole kickback, then I wouldn’t have been able to have such awesome conversations with other people. But also I’m not bitter about it.. I just realized that I should never ever be in a “relationship”in the most rigorous definition of it until way later. Right now is not the time to have limits.
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“Don’t stop inspiring me
Sometimes it’s hard to keep on running
We work so much to keep it going
Don’t make me want to give up”










So a semester has passed me by with only occasional pangs of guilt for not updating, but with encouragement from two unlikely friends, I decided to continue this shindig, only with updates and revelations about my life as well.

